AKG C214 Studiokondensatormikrofon

AKG C214 — Large-Diaphragm Condenser Microphone with C414 DNA

This model brings the studio-standard sound of the flagship C414 family to project studios and home recordists at a more accessible price point. By pairing one capsule of the legendary dual-capsule system with patented Back-Plate Technology, this cardioid condenser captures vocals and instruments with the up-front detail and airy top end that have defined the family since 1971. Engineers who want C414-class sonics without switchable polar patterns will find the microphone a focused single-pattern alternative.

Standout Features — C414 XLII Sonic Character in a Single-Pattern Body

What separates this microphone from typical large-diaphragm condensers is its edge-terminated, gold-sputtered dual-diaphragm capsule built directly from the C414 XLII design. Patented Back-Plate Technology reduces mechanical resonance at the source, while the integrated capsule suspension isolates the element from floor vibrations and stand-borne noise.

Capsule & Polar Pattern — Detailed Capture with Focused Rejection

The cardioid polar pattern focuses on the source in front of the diaphragm while rejecting room ambience from the rear, suiting untreated rooms and multi-mic sessions where bleed control matters.

• Polar Pattern: Cardioid — focused front-lobe pickup that minimizes room and stage bleed
• Capsule: 1-inch edge-terminated dual-diaphragm, gold-sputtered — derived from the C414 XLII for detailed, transparent capture
• Frequency response covers the full 20 Hz – 20 kHz spectrum, reaching down to sub-bass and up to air-band detail

Dynamic Range & SPL Handling — Whisper-Quiet Floor, Stage-Ready Headroom

A noise floor of 13 dB-A and signal-to-noise ratio of 81 dB-A keep quiet sources free of hiss. Engage the 20 dB pad to record sources up to 156 dB SPL — drum overheads, brass, cranked cabinets. The 160 Hz bass-cut filter rolls off low-end rumble and proximity buildup at close range.

• Equivalent Noise Level: 13 dB-A — quiet enough for voiceover and ASMR-style capture
• Max SPL: 136 dB / 156 dB (0 / 20 dB pad) — handles everything from vocals to full drum kits
• Dynamic range reaches 143 dB-A with the pad engaged, giving uncompressed transient headroom for natural peaks

Build, Connectivity & Powering — Roadworthy Hardware, Standard Phantom Power

The all-metal die-cast body with shock- and scratch-resistant matte grayish-blue finish handles daily studio and stage use. A double-mesh all-metal grille protects the capsule and ensures high RF immunity. Ships with H85 shockmount, W214 windscreen, and metal carrying case; runs on 9–52 V phantom power via 3-pin XLR.

• Dimensions: 160 × 55 mm — compact body that fits standard shockmounts and stereo bars
• Net Weight: 280 g — balanced enough to stay put on a small boom stand
• Gold-plated 3-pin XLR output ensures a corrosion-resistant professional connection

Who Is It For — Project Studios, Vocalists, and Podcasters

This large-diaphragm condenser is the right choice for project-studio engineers and home recordists who need a workhorse mic for lead vocals, acoustic guitar, drum overheads, and voiceover. Independent vocalists get C414-derived capsule character without paying for switchable polar patterns. Podcasters get broadcast-grade clarity with the included H85 shockmount isolating desk rumble, and producers building a matched stereo pair for drum overheads or room miking can deploy two units with confidence.

Brand & Product Story — Legacy Since 1947

AKG was founded in 1947 in Vienna by Dr. Rudolf Goerike and Ing. Ernst Pless. The C12, introduced in the early 1950s, was the first large-diaphragm condenser with remote-controlled switchable polar patterns — a design that evolved into the C414 by 1971. The instrument carries that lineage forward as a single-pattern take on the C414 XLII.